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Showing posts with label genesis. Show all posts
Showing posts with label genesis. Show all posts

Friday, May 27, 2016

Is Genesis 1-2 Myth? (What is the Genre of Genesis 1-2: Part 3)

This is part three of my term paper on how to read and interpret the first two chapters of Genesis. Read part one here.  |  Read part two here.  


So is Genesis 1 a myth? That depends on your definition of myth. Some would say if you are a believer in the Bible, the answer is, of course it is not myth.1 These people hold tight to their version of inerrancy and reject the comparisons to the pagan literature. The English word myth comes from the Greek word mythos, which was not originally used to distinguish between true and false stories. It was only over time that it began to refer to a fictional story.

As a result of the similarities between Genesis 1-2 and other ancient near east myths, some would say the creation stories are merely a human construct, misguided stories. Wenham calls myth an “inappropriate category”, arguing that the common lay person’s understanding of myth confuses the issue too much. Therefore calling the opening chapters of Genesis “myth”, he considers “at least unwise, at worst misleading”.2 While he may be right that myths have gotten a negative reputation for being equated with falsity, he even admits that there are many who have a more positive understanding of myth. He acknowledges that myths represent a different way of expressing truth.3 Jacobsen characterizes Gen 1–11 as mytho-historical, “We may assign both traditions to a new and separate genre as mytho-historical accounts.”4

Kenton L. Sparks sees no problem using the words “myth, legend, fable, and tale” for some parts of Genesis 1-11. He says instead of avoiding the word, we should argue that “the myths of Genesis get at “the truth” better than other Near Eastern myths.”5 This lets the text speak truth as God’s word while at the same time removing demands for historicity. Sparks goes on to define “myth” as pertaining to stories where the gods are the main characters and the setting is in the heavens or in the early cosmos.6

Genesis 1 and 2 are theological compositions, bathed in allegory and symbol, which tell the story of humanity, not only two individuals. It is also important to note that ancient writers would not have adhered to the idea of “generic purity” which would mean a firm boundary between history and fiction.7 Karl Barth argues: “We must dismiss and resist to the very last any idea of the inferiority or untrustworthiness or even worthlessness of a “non-historical” depiction and narration of history. This is in fact only a ridiculous and middle-class habit of the modern Western mind which is supremely phantastic in its chronic lack of imaginative phantasy, and hopes to rid itself of its complexes through suppression.”8

C. S. Lewis would agree with Barth. In fact. Lewis addressed these issues in Reflections on the Psalms. He says he does not believe “that every sentence of the Old Testament has historical scientific truth.” Lewis writes, “[This] I do not hold, any more than St. Jerome did when he said that Moses described Creation ‘after the manner of a popular poet’ (as we should say, mythically) or than Calvin did when he doubted whether the story of Job were history or fiction.”9 Lewis knew one did not have to be a biblical literalist to be faithful to the scriptures. He wrote, “I have therefore no difficulty in accepting, say, the view of those scholars who tell us that the account of Creation in Genesis is derived from earlier Semitic stories which were Pagan and mythical.”10

For Lewis, “myth” was not a bad word; it was not to be equated with falsity. Genesis can be myth and still be the word of God articulating the truth of creation. Like Lewis, I have a high view of Scripture and a high view of mythology. Lewis believed that myth can communicate truth even better than history or science can at times. In his essay, “Myth Became Fact,” Lewis argues that, myth is able to express abstract truths in concrete terms. “In the enjoyment of a great myth, we come nearest to experiencing as a concrete what can otherwise be understood only as an abstraction.”11 A myth is not a story that is not true. A myth is truth communicated via story.

I agree with Enns when he says, “a literal reading of Genesis is not the firmly settled default position of true faith to which one can “hold firm” or from which one “strays.” Literalism is a hermeneutical decision (often implicit) stemming from the belief that God’s Word requires a literal reading.”12 Enns concludes that literalism is not an option when it comes to the creation stories in Genesis. He says those who read Genesis literally must “either ignore evidence completely or present alternate “theories” in order to maintain spiritual stability.”13 A responsible interpretation of the biblical stories must deal with the scientific and archaeological facts, not dismiss them, ignore them, or manipulate them.14 This is why I believe that reading Genesis 1-2 as some type of mythic-history may be the best approach. At the end of the day I am still not sure what to do with the question of the historicity of Adam and Eve, but I do not think it makes or breaks the Christian faith one way or the other.15 The truth of Genesis chapters 1 and 2 is about more than their historicity or scientific accuracy, but about their ability to convey theological truths about God as Creator, the state of creation and humankind made in the image of God.




1 Mark S. Smith, “Is Genesis 1 A Creation Myth? Yes and No”, 71.
2 Wenham, 82.
3 Wenham, 82.
4 See Thorkild Jacobsen, “The Eridu Genesis,” Journal of Biblical Literature 100 (1981): 528 , reprinted in Richard S. Hess and David T. Tsumura, I Studied Inscriptions from Before the Flood (Winona Lake: Eisenbrauns, 1994), 140.
5 Sparks, 104.
6 Sparks, 122.
7 Sparks, 126.
8 Karl Barth, Church Dogmatics 3:1:81.
9 C. S. Lewis, Reflections on the Psalms (New York: Harcourt, Brace, 1964), 109.
10 Lewis, 110.
11 Lewis, God in the Dock, 66.
12 Peter Enns, 56.
13 Peter Enns, 137.
14 Peter Enns, 138.
15 Peter Enns and Lamoureux also deal with the question of Paul and Jesus assuming Adam and Eve were real historical people, but space does not permit me to go into that here.


Here is a visual bibliography for your enjoyment!



The Summa Theologica of St. Thomas Aquinas
The Literal Meaning of Genesis 1 (Ancient Christian Writers)
Slaying the Dragon: Mythmaking in the Biblical Tradition
The Evolution of Adam, What the Bible Does and Doesn't Say about Human Origins
Genesis for Normal People: A Guide to the Most Controversial, Misunderstood, and Abused Book of the Bible
The Lost World of Genesis One: Ancient Cosmology and the Origins Debate
Evolutionary Creation: A Christian Approach to Evolution
Literary Approaches To Biblical Interpretation
Genesis (Zondervan Illustrated Bible Backgrounds Commentary)
Genesis: History, Fiction, or Neither?: Three Views on the Bible's Earliest Chapters (Counterpoints: Bible and Theology)
Validity in Interpretation
God in the Dock: Essays on Theology and Ethics
Reflections on the Psalms
Myth and Scripture: Contemporary Perspectives on Religion, Language, and Imagination
I Studied Inscriptions from Before the Flood: Ancient Near Eastern Literary and Linguistic Approaches to Genesis (Sources for Biblical and Theological Study Old Testament Series)

Thursday, May 26, 2016

What is the Genre of Genesis 1-2 (Part 2)

This is part two of my term paper on how to read and interpret the first two chapters of Genesis. Read part one here.

Enuma Elish from Google Images
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So why was Genesis written? If not to tell us the science and exact factual history of the creation of the world, what was its purpose? Peter Enns points to two important developments in biblical scholarship in the nineteenth century which have significantly influenced how we read Genesis today. The first is biblical archaeology and with it the discovery of ancient creation myths with similarities to Genesis. The second development is an innovative answer to who wrote the Pentateuch and when it was written: “Genesis is an ancient Israelite narrative written to answer pressing ancient Israelite questions.”1  Julius Wellhausen and many other biblical scholars argue that, “the Pentateuch as we know it [...] was not completed until the postexilic period (after the Israelites were allowed to return to their homeland from Babylon beginning in 539 BC).” 2 This means it was formed as a theological response to the Babylonian exile. The author(s) of Genesis were defining Israel as a nation in the wake of Babylonian captivity. The purpose was not simply to provide objective historical or scientific information about the origins of the world, but rather to speak about God, and Israel’s identity as God’s chosen people from the beginning of the world.3

How did biblical archaeology shape our understanding of Genesis? In 1876, George Smith discovered and published Enuma Elish, an ancient Babylonian creation story. Ever since then, the question must be raised: “if the foundational stories of Genesis seem to fit so well among other-clearly ahistorical-stories of the ancient world, in what sense can we really say that Israel’s stories refer to fundamentally unique, revealed, historical events?”4

There are several similarities between the two stories.5 In both Enuma Elish and Genesis matter exists independently of the divine spirit. There is not creation out of nothing, but order out of chaos and there is only darkness before creation. Before the creation of the sun, moon, and stars, light already exists. The chaos symbol in Enuma Elish is the goddess Tiamat. In Enuma Elish, Marduk cuts the body of Tiamat in two and uses half of it to form a barrier to keep the waters from escaping. Genesis 1:6-8 depicts the sky as a solid dome (“firmament”) to keep the waters above where they belong.6 Enuma Elish concludes this sequence with the building of a temple. And John Walton proposes that the ordered cosmos is God’s cosmic temple.7 Wenham explains that in the ancient world the dedication of a temple took a week, and then on the seventh day the god or gods came to dwell in it. So again we see the link between the creation of the world as creating a temple for the Creator who rests on the seventh day. In other words God comes to dwell on earth with man.8 Lamoureux also talks about how Genesis 1-11 is typological and mentions the six days of creation followed by a day of rest modeling the Hebrew work week and Sabbath. Lamoureux claims the author manipulated the number of creation days to serve his theological intention.9

For Enns, what is more important than proving “literary dependence” is the “conceptual similarity” between the two stories. There are still significant differences between the Babylonian and biblical stories as well, which would suggest something besides “borrowing” has taken place. For example there is no divine conflict in Genesis, while conflict is a major theme in Enuma Elish. The key is to understand the Genesis stories in their ancient context and stories like Enuma Elish help us do that by helping us “calibrate the genre of Genesis 1.”10

Our understanding of the second creation story is enhanced by the Atrahasis Epic. Some have said Genesis 2-8 is an Israelite version of Atrahasis.11 In contrast to the Babylonian stories, in Genesis, humans are created as God’s crowning achievement - they are said to be “very good” created in the image of God.  Whereas in the Babylonian creation story humans are not made in God’s image. In the Epic of Atrahasis, humans were created more as an afterthought to do the work the gods did not want to do.12



1 Peter Enns 
The Evolution of Adam (Grand Rapids: Brazos Press, 2012), xviii.
2 Peter Enns, 5.
3 Peter Enns, 5.
4 Peter Enns, 37.
5 For more on the similarities between Enuma Elish and Genesis 1 see Bernard Batto’s Slaying the Dragon, pages 76-77.
6 Peter Enns, 39.
7 John H. Walton, The Lost World of Genesis One (Downers Grove: InterVarsity Press, 2010), 77-80.
8 Wenham, Genesis: History, Fiction, or Neither? 81.
9 Lamoureux, 268.
10 Peter Enns 41.
11 Peter Enns 53, For more on the similarities between Genesis 2 and Atrahasis see Slaying the Dragon by Bernard F. Batto, pages 51-52.
12 Peter Enns, Genesis for Normal People, 25.

Wednesday, May 25, 2016

What is the Genre of Genesis 1-2 (Part 1)

I'm doing something a little different on the blog this week. I'm basically dividing up the term paper I wrote for my Old Testament Studies course this semester and posting it here over the course of a few days. I chose to dive into the topic of how to read and interpret the first two chapters of Genesis and quickly wondered if I had bit off more than I could chew! (Especially given the 2500 word limit!) But anyway, let me know your thoughts in the comments!

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There would seem to be as many interpretations of the opening chapters of Genesis as there are people reading it. This essay seeks to understand what genre of literature form Genesis 1 and 2 and what the implications are regarding the historicity of Adam and Eve and the historicity of the creation accounts in general. In other words, is a literal/historical reading of the text the only faithful interpretation or are there other ways to interpret it that might be more faithful to the text?

Peter Enns states, “The most faithful, Christian reading of sacred Scripture is one that recognizes Scripture as a product of the times in which it was written and/or the events took place.”1  Just as Jesus is both divine and a completely human man of first-century Palestine, the Bible is also of divine origin and yet also a product of its time.2  The question remains, can the Bible make meaningful historical statements? Is the Bible, particularly Genesis 1-2, history, mythic story, or both?

One might label the genre of the opening chapters of Genesis as myth, folktale, legend, story, metaphor, poem, symbolism, archetypal, historical narrative, etc. E. D. Hirsch said, "Every disagreement about interpretation is usually a disagreement about genre."3  Sparks says “Genre” should not be limited to the terms of literature or art, because “it is better understood as an epistemic function of human interpretation in which we make sense of things by comparing them with other things.”4   Neither should genres be thought of as fixed categories. For Sparks, genres are flexible categories which help us make sense of the world.

According to Longman III, in literature, a genre is "a group of texts that bear one or more traits in common with each other.”5  Genre “directs authors as they compose the text. It shapes or coerces writers so that their compositions can be grasped and communicated to the reader.”6   Reading correctly then includes reading according to the text's genre. Knowledge of the genre guides the reader towards the meaning of the text.

Difficulties with understanding the genre of Genesis 1-2 are not only a modern day problem. Origen addressed this in the third century:
“For who that has understanding will suppose that the first, and second, and third day, and the evening and the morning, existed without a sun, and moon, and stars? And that the first day was, as it were, also without a sky? And who is so foolish as to suppose that God, after the manner of a husbandman, planted a paradise in Eden, towards the east, and placed in it a tree of life, visible and palpable, so that one tasting of the fruit by the bodily teeth obtained life? And again, that one was a partaker of good and evil by masticating what was taken from the tree? And if God is said to walk in the paradise in the evening, and Adam to hide himself under a tree, I do not suppose that any one doubts that these things figuratively indicate certain mysteries, the history having taken place in appearance, and not literally.”7  
Augustine wrote in 401 A.D., “It is a disgraceful and dangerous thing for an infidel to hear a Christian, presumably giving the meaning of Holy Scripture, talking nonsense on these topics; and we should take all means to prevent such an embarrassing situation, in which people show up vast ignorance in a Christian and laugh it to scorn.”8  It was important to Augustine that the interpretation of Scripture did not dispute facts of public knowledge. Aquinas also warned that Christians “should adhere to a particular explanation [of Scripture] only in such measure as to be ready to abandon it, if it be proved with certainty to be false; lest Holy Scripture be exposed to the ridicule of unbelievers, and obstacles be placed to their believing.”9

These words were written in the context of interpreting the book of Genesis. For even in their day, there was growing tension between a literal reading of Genesis and the scientific discoveries that continued to change our understanding of the universe. Historically, the church has not had a good relationship with science. It banned the works of Galileo at first and it took one hundred years before they reversed their decision.

The writers of the Bible assumed the earth was flat and that it was created by God no more than roughly 4000 years before Jesus came to earth. They believed the earth was a fixed point and that the sun actually rises and sets. Most Christians today do not have a problem reconciling the Bible’s view of these things with modern science. Lamoureux points out that the science and history in Genesis 1-11 were considered true at the time the chapters were originally orally transmitted and written down.10  Enns argues, “It is clear from a scientific point of view, the Bible does not always describe physical reality accurately; it simply speaks in an ancient idiom, as one might expect ancient people to do. It is God’s Word, but it has an ancient view of the natural world, not a modern one.”11




1 Peter Enns, The Evolution of Adam (Grand Rapids: Brazos Press, 2012), xi.
2 Denis O. Lamoureux also talks about the idea of God accommodating the level of ancient writers and what they knew of science and history (Evolutionary Creation, 166).
3 E. D. Hirsch, Validity in Interpretation (New Haven: Yale University, 1967), 98.
4 Kenton L Sparks, Genesis: History, Fiction, or Neither? (Grand Rapids: Zondervan, 2015), 111.
5 Tremper Longman III, Literary Approaches to Biblical Interpretation (Grand Rapids: Zondervan, 1987), 76
6 Longman III, 77.
7 De Principiis 4.1.16. The translation is Frederick Crombie’s in The Writings of Origin, vol 1, Ante-Nicene Christian Library 10 (Edinburgh, UK: T. & T. Clark, 1869), 315-17.
8 Augustine , The Literal Meaning of Genesis, Book 1, Ch 19, 39.
9 Aquinas, Summa Theologica , 1, q. 68.
10 Denis O. Lamoureux, Evolutionary Creation (Eugene: Wipf & Stock, 2008), 270.
11 Peter Enns, xiv.